a5c7b9f00b Runyonesque Broadway gamblers turn patriotic when they stumble onto a cell of Nazi saboteurs.
Broadway gambler Gloves Donahue wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton leaving the bakery. When her boss Marty's partner Joe is murdered, Leda and her accompanist Pepi disappear. It turns out that beneath all the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.
Bogart was in good form as a racketeer, who comes up against Nazi spies, headed by Conrad Veidt, Peter Lorre, and Judith Anderson, and prefers patriotism to the profits of crime
<br/><br/>Several things seriously frightened the film's success
It was released very shortly after the bombing of Pearl Harbor, a bad time for portraying a quasi-realistic spy tale in a laughable manner
<br/><br/>The film also suffered from an overt case of "cuteness" in its dialog, with such lines as ' Say, there's more here than meets the FBI.,' being uttered all too frequently by Bogart and his comic retinue which included Frank McHugh, William Demarest, Jackie Gleason, and Phil Silvers
<br/><br/>Another weak point in the film was completely unbelievable "cliffhanger" ending which found Veidt driving a speedboat loaded with explosives toward a battleship
<br/><br/>In spite of these minor irritants, the film did give Bogart a chance to do some very creditable comedy work and on the whole it still entertains
With it's combination of various genres (Runyonese gangsters,comedy,spy drama,mystery,thriller,Nazi villains,wartime propaganda),ALL THROUGH THE NIGHT could've been an unwieldy and confusing melange of styles;that it is not is a tribute to it's behind the scenes crew (splendidly led by Vincent Sherman) and wonderful cast,with arguably Hollywood's most imperishable star,Humphrey Bogart,at it's epicentre.<br/><br/>Genial gangster Gloves Donahue (Bogart) probes into the killing of a friend, Miller (Ludwig Stossel),a baker whose cheesecake Gloves has been eating for years.His investigations lead him onto a nightclub singer (Kaaren Verne) who reveals that like Miller she's under the whim of an organisation of Nazi fifth columnists,led by the urbane but sinister Ebbing (Conrad Veidt).Gloves himself is under suspicion of murder,and exposing the Nazis involved intent on sabotage is the only way to prove his innocence.<br/><br/>ALL THROUGH THE NIGHT is a scandalously underrated effort in the Humphrey Bogart catalogue.Perhaps the fact that the story involved is played for laughs rather than grim drama has led critics in the past to feel the tone was overly facetious and jokey,lacking the greater sophistication of the immortal CASABLANCA for example.It is very true on the last point,but overall as a piece of all-round entertainment,this film is very hard to beat.This is a quintessential Hollywood studio product of the early 1940's;Warner Bros'studio back-lots glistening with rain,fog and atmosphere,dark corners,warehouses,swanky nightclubs and docklands,breathlessly unpretentious direction by Vincent Sherman,a witty,exciting,fast-moving script that covers up the implausibilities of the plot,and a quite extraordinary cast of outstanding character actors,such as William Demarest,Peter Lorre,Judith Anderson,Edward Brophy,Barton MacLane,Jane Darwell,Phil Silvers,Jackie Gleason,James Burke and Wallace Ford.The very appealing ingredients above combined make this an irresistibly entertaining brew.<br/><br/>There are several minor flaws;Frank McHugh is a little over-strident as a newly-attached bridegroom;Sam MacDaniel's brief role shows that Hollywood still had a long way to go before conquering it's crude Negro stereotyping,and Kaaren Verne is rather colourless and ineffectual as the main female lead.Bogart himself was not always completely assured when just playing straight comedy,yet he still handles it with his usual style and charisma,and works very well in tandem with the ever reliable Demarest and others with the Runyonese-style dialogue and situations.Bogie remember was still in the very early stages of his new-found stardom after years playing a variety of unpleasant hoodlums and gangsters,and he would reunite with Veidt and Lorre soon afterwards in perhaps the most beloved Hollywood production of them all,CASABLANCA.There is a rousing,exciting finale when various friends and cronies of Bogart battle it out with the Nazi villains in their secret headquarters,though this is slightly off-put by a dockland-based sequence involving Bogart and Veidt which goes somewhat over the top and is afflicted by unconvincing model work.<br/><br/>Nevertheless,ALL THROUGH THE NIGHT is a hugely enjoyable and entertaining example of wartime Hollywood,when talent,professionalism and actors could paper over the cracks of a story which was often dubious and lacking in credibility.What a shame there are very few indeed in this day and age who can come nowhere near such admirable qualities.<br/><br/>RATING:8 out of 10.
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